Tiffany Street Page 3

  Osgood Perkins—no, sorry—Dr. McCarran bowed his head.

  “Christ Almighty,” he said to the green desk blotter. When he lifted his head, I was relieved to see he was not crying. “It’s a pretty rotten way to live,” he said. In a voice so low that I could only just barely hear him. But I did. “Teaching kids how to convince draft board doctors that they pee in bed. Wouldn’t that have made Osler proud of us?”

  I didn’t answer. I just took the sheet of paper, stood up, and went to the door. I made it because he held my elbow all the way.

  “Tell your son to memorize these simple questions and answers,” Dr. McCarran said. “He won’t be drafted.”

  “Thank you,” I said.

  I walked back to the Federal Courthouse. One of the most puzzling things about being alive, I have learned slowly, is that there are times when you don’t know what the hell is going on inside your own head. Emotions are too complicated to sort out. They make you feel rudderless. I hate that. I like to feel I am in control. I like to feel I know where I am going. The infuriating truth is that I rarely do. For such moments I always carry the copy of Bleak House given to me by Miss Anna Bongiorno in J.H.S. 64 when I reached the semifinals in the New York Times oratorical contest on the Constitution in 1924. I did not make it into the finals, but I still have that copy of Bleak House. I never leave home without slipping it into my overnight bag. Even before I pack my razor and toothbrush.

  You can always, I have found, buy a toothbrush. Or find a barber. But copies of Bleak House, I have discovered, are difficult to come by on short notice. So I carry my own, and in spare moments away from home I lean on it. The book gets you through. Art always does. Good art, anyway, and Bleak House is up there with the best.

  It got me through a long wait in the Federal Courthouse on Walnut Street until I was called to the stand. After half an hour of foolish questions, Mr. Schlisselberger’s Philadelphia lawyer asked if I, as an experienced and well-known New York real-estate lawyer, would or could—no lawyer ever uses one word when two can be squeezed in—tell the court if any new theaters had been built in the Times Square area.

  “Not in my time,” I said.

  The defense attorney leaped to his feet. “And what, sir, if I may ask,” he thundered (he was a basso, like Ezio Pinza), “what is your time, sir?”

  Without thought, because it was simple fact, as much a part of my life as my home address, I said: “April fourth, nineteen thirteen, the day I was born, until today.”

  Pause. Defense attorney plops back into his seat, frowning furiously. I wonder why. The judge, a man who has hitherto been for me faceless, leans down from the bench. He proves to have a marvelous face. Plump, but not fat. Lined in a good way. The best way. Like a marbled steak. The lines underscoring the obvious fact that the face has been used. By thought. By worry. By preoccupation with the human condition, which is always troubling and never good. All these lines came together in a friendly smile, the whole head framed in a neatly tended mop of thick white hair.

  “Mr. Kramer,” the judge says to me gently, “that’s the only time any of us can testify to.”

  So I’m doing it.

  The decision was not made. It happened. I caught the four o’clock Metroliner back to New York. I had the afternoon papers. And I had Bleak House. But I did not read. I stared out the train window. As anybody who has been subjected to this ride can testify, there is not much to see. Yet the unattractive roadbed from Philadelphia to Penn Station held my attention. I was not, of course, seeing the dreary landscape. I was seeing that judge. His alive, concerned face. And hearing his totally unexpected words. Over and over again. Why?

  I don’t know. I had gone to Philadelphia to save the life of my son. To do so I had been forced to involve myself in a fragment of a stupid legal brawl. The only justification for its existence was the wealth of the plaintiff. He could afford to snarl the dockets of the nation’s courts with a piece of idiotic vanity. He could afford to enlist my not inexpensive help in this shameful charade. As the train pulled into Penn Station, the core of what was troubling me surfaced in the form of a question. I wished it hadn’t. The question was: Is this a way for a man to spend his life? The question was addressed to Benny Kramer.

  Before I could answer it, things started to happen. There were, of course, no taxis. There have been no taxis at Penn Station since Commodore Perry opened up Japan, though most New Yorkers are either unaware of this fact or refuse to believe it. They emerge from the railroad station into the street, seem astonished to discover that there are no cabs waiting, and do something I feel I have a right to call stupid because I have done it so often myself: they ask a redcap to get one for them.

  I did not. After all, I was carrying no luggage. Only Bleak House. And I knew more about the area around Penn Station than most redcaps. I had spent my early years in the garment center.

  I surveyed the situation. This was a mistake. I should have walked away from it. But the days of my nonage were crowding back into my mind. When I was a boy on these streets the Hotel Pennsylvania had a 33rd Street entrance. And 33rd Street, even when Jimmy Walker was mayor, had always been westbound. Somebody was sure to be arriving at the hotel from the east side. Somebody in a taxi.

  I made my move.

  I leaped out into the stream of Seventh Avenue traffic. I dodged my way nimbly—every morning: twenty minutes of calisthenics, plus ten minutes of jogging—toward the southeast corner of 33rd Street. A man carrying a suitcase might have had trouble. Not a man carrying Bleak House. The prose is uplifting. Halfway across the moving current of savage traffic, I saw a cab do precisely what I had felt some cab would do. It pulled up to the 33rd Street side of the hotel.

  A passenger stepped out. The door slammed shut. The cab started moving toward me. At the 33rd Street corner it turned into Seventh Avenue, as I knew it would have to do; Seventh Avenue is now one-way, southbound. I waved Bleak House. The taxi pulled up and stopped at my feet. I seized the handle of the rear door and twisted.

  Nothing happened. I twisted harder. Nothing. The door was locked. A voice came out of the late afternoon sunlight behind me.

  “That’s my cab, white boy.”

  I turned. In my youth I was a devotee of the work of Rex Beach. He would have written: “I spun around.” I have a feeling Mr. Beach’s account of my movement would have been more accurate. When I stopped spinning I found myself facing, in the middle of the Seventh Avenue traffic, a black young man in a zipper jacket who was eleven feet tall.

  “Oh, no, it’s not,” I said mildly. My mother had taught me to be polite. “I got here first.”

  The black man replied by throwing a punch at my nose. I covered it with both hands and with Bleak House and I crouched away to the left. The black young man’s fist missed my nose, as well as Bleak House, but it grazed the side of my head. My head slammed against the rim of the taxi’s rear window. Time vanished from my consciousness. When I again became aware of it, I grasped that it could not have been gone very long. The young man was still there, right smack in the middle of the insane traffic whoosing by on both sides of us, and he was throwing another punch at my head. It never landed. This black boy, clearly to his amazement as well as mine, had competition.

  Behind him another black boy—no, a man: he could have been in his forties or his nineties but he was not in his teens—had taken an interest in me. He was taller and heavier than the boy, and he was carrying what looked like a stunted baseball bat. I learned later it was a long flashlight, but at the moment my capacity to learn was limited to my popped eyes. They showed me the long, sweeping motion of one arm, with which the black man shoved the black boy out of his path, and the way both his hands came together at the bottom of the weapon, swung it up over his head and, like a headsman’s ax, brought it down in the direction of my totally unprotected scalp.

  I screamed. I crouched. And something came up out of the past to help me. The memory of that commando course I had been forced to take at a Brit
ish staging area in Kent shortly before D-day in 1944.

  “Kick,” Corporal Isherwood had snapped at us over and over again. “Kick,” he had barked. “As hard and as straight out at the bahstids as you can. The foot reaches further than the hand, and to do it you don’t have to lean forward and expose the body’s voytal parts. Kick, gentlemen, always kick.”

  A quarter of a century later, on a sunny afternoon in front of Penn Station, I did Corporal Isherwood’s bidding. I kicked. And I added a touch of my own: I closed my eyes. The toe of my shoe caught the wielder of the headsman’s ax right smack in the middle of the target that the Marquis of Queensbury spent his life telling Western Man no civilized pugilist must even approach.

  I did better than approach it; I practically demolished it. Closing my eyes had obviously done the trick. The man screamed. He tumbled backward, clutching his voytal parts, and he flopped onto the black boy who had damaged my head. They went down together, amid a wild rasping of brakes and an insane honking of horns.

  I heard a click behind me. The taxi driver had leaned over and snapped back the catch on the lock of his rear door. I twisted the handle and jumped in. Pulling the door shut with a bang, I fell back on the seat.

  “Where to?” the driver said.

  I looked at the card next to his meter. Ramon Fuentes. I looked at his Puerto Rican face. Twenty-five? Perhaps thirty. Certainly no more. He had not yet been born when Benny Kramer was being taught in Kent to “kick, always kick.”

  “Madison and Forty-ninth,” I said. “Drive slow.”

  “They hurt you bad?” Ramon Fuentes said.

  Not physically. Only in the place where I lived.

  “I’ll be all right in a few minutes,” I said.

  But I knew in my belly I would never be all right. Never again. A couple of hours ago, in Philadelphia, my life had turned a corner. A few minutes ago, in front of Penn Station, a road block had been dumped behind me. There was no way to go back.

  The streets I had roamed at night, as a boy at N.Y.U. Law School, dreaming of Toby Wing and Judge Brandeis, those streets were no longer safe in the brilliant afternoon sunlight.

  “Listen,” I said to the taxi driver. “When you stopped the cab for me in the middle of the traffic back there, why didn’t you open the door?”

  “No taxi driver in this town goes to Penn Station to look for a fare,” the driver said. “It’s too tough. Even the cops are scared. It’s all gangs. They tell a man or a woman, We’ll get you a cab, mister. Then, when they get it, they surround him and his family and they say, That’ll cost you ten bucks, mister. Or twenty. The poor guy, he’s there with his wife, he’s stuck. He doesn’t pay? They get rough. Sometimes with the bags. Sometimes with the man. His wife and kids, too. He usually pays. Like those two guys who jumped you. They were probably promoting a cab for some poor sucker who just got off the train from some hick town out west and didn’t know what was gonna happen to him. The only time a hackie goes to Penn Station these days is when he gets stuck, and then he gets the hell out of that neighborhood as fast as he can. Like this lady flagged me over on Fifty-seventh and Lex. She says take me to the Sheraton on Seventh. I’m stuck. I gotta take her. But I want to get out of there fast. So I take her to the Thirty-third Street entrance and then I lock the door. When I turn into Seventh, getting the hell out of there, I see you in the gutter. I’m heading south, down Seventh, so I figure okay, and I stop. But then I see these two guys behind you. Boy, I tell you, mister, I want to get the hell out of there.”

  All at once so did I.

  “You can go a little faster,” I said. “I’m okay now.”

  I wasn’t. But I knew as soon as I set eyes on Miss Bienstock, my secretary, I would be. She was what people mean when they say somebody is no longer a kid. And indeed Miss Bienstock was not.

  When I had first met her in the offices of Maurice Saltzman & Company in 1930, she had been a pretty girl with dimples who had come to work in that office directly from her graduation at seventeen from Washington Irving High School. When I came to work in that same office, directly from my graduation from Thomas Jefferson High School, I had just passed my seventeenth birthday, and Miss Bienstock had been working there for five years. Any way you figured it, she was my senior by five years.

  In 1930 it had seemed quite a gap. Especially since Miss Bienstock had been private secretary to our boss, and I had been the sort of office boy who was known in the slang of the day as a chief cook and bottle-washer. I did everything, including many things Miss Bienstock asked me to do.

  It is the word asked that lingers. Even though Miss Bienstock had the authority, she never ordered. She always asked.

  “Benny, I wonder if I could ask, some time today, no rush, any time at all, you’re out on some errand, could you stop in at Pennsylvania Stationers and get me a box of these eight and a half by eleven manila file folders?”

  I always did, and I was always pleased to do it. Years later, when I went into business for myself and needed a secretary, I happened to run into Miss Bienstock at the Riverside Chapel funeral service for another girl who had worked in our office. The sight of Miss Bienstock made me feel good. I had one of those inspirations that with more fortunate men lead to the White House or 10 Downing Street. But what’s the White House? What’s 10 Downing Street? Compared with a good secretary? Nothing? Everything!

  The relationship was never difficult. Even though she was then, and naturally still is, older by those five years. The key to our relationship is that, even though I am in my late fifties, a married man with a grown son, to Miss Bienstock I am still Benny Kramer, the Maurice Saltzman & Company office boy. And you know something? I like it. “Something went wrong in Philadelphia,” she said through a troubled frown when I came into the office. “I can tell.”

  I was on the verge of denying it, when my awareness of Miss Bienstock’s concern for my welfare, to which I was accustomed, took an odd turn. I was suddenly jolted by curiosity. As though I had received a message that something important was about to be revealed to me.

  “How can you tell?” I said.

  Miss Bienstock continued to stare at me through her anxiously troubled frown. I stared back at her, with the same sort of anxiety. Perhaps an anxiety that cut even deeper. Her great talent, even as a young girl in the office of Maurice Saltzman & Company, had been a kind of innocent clairvoyance. I never knew how her mind worked. I doubt that she did. But she always seemed to cut through confusing irrelevancies.

  Miss Bienstock always knew I had a head cold before I did. She sensed—there was no other way she could have known—when my shoes needed resoling, and would suggest that I stop in at the cobbler down the street. Before I had made up my mind, she would tell me she did not think a certain client would ever move beyond his big talk about buying a certain property with the hard fact of a contract and the hard cash of a down payment. I remembered all at once that she had felt I should not go to Philadelphia to testify in Mr. Schlisselberger’s antitrust suit. She did not, of course, know the real reason why I went. Miss Bienstock was crazy about Jack. She always sends him Hallmark birthday cards. But I had never discussed with her Jack’s draft problem.

  “I don’t know,” Miss Bienstock said softly. “I don’t know,” she repeated worriedly. “All of a sudden, the few hours you’ve been gone, all of a sudden you look older.”

  “That’s no surprise,” I said. “Every hour that goes by, we all get older.”

  Miss Bienstock shook her head. It was a very attractive head. Her hair was going white, and even though she was almost sixty-four, she still had an enviable figure. And she had never lost that look of innocent, some might say mindless, girlish prettiness. The look I had found so attractive on West 34th Street in 1930. There was something indomitable about her.

  “Sticks and stones can break my bones,” we used to say on East Fourth Street, “but names can never harm me.”

  That, it seemed to me, was the word for Miss Bienstock. She was unharmed. It was
as though the years, passing by, had taken their expected swipes at her but she had parried them, fended them off, kept her basic self intact. I had always liked her. All at once I realized I admired her. She was what my father, who had spent his life making pockets in a pants shop, used to call good goods. I wondered how she had managed it.

  “I don’t mean getting older like in arithmetic,” Miss Bienstock said. “I mean getting older like in...”

  She paused. She seemed surprised by something that had apparently crossed her mind.

  “When I was a little girl,” she said, “I remember once my mother said about one of our neighbors—something terrible had happened, I think the woman’s husband got killed by a truck on his way home from work, something like that—and I remember my mother saying about this woman, my mother said her hair turned white overnight.”

  “Well, I don’t have any to turn,” I said. “Anything important happen while I was away?”

  “Nothing you have to worry about until tomorrow,” Miss Bienstock said. She hesitated, then said, “Are you sure nothing happened?”

  I went to the window and looked down on Madison Avenue at 5:30 in the afternoon. Once, when I was a boy on Seventh Avenue, this street had seemed as unattainable as a seat in the House of Lords. Now that I had been a part of it for a quarter of a century it seemed pointless. The question that had hit me as the Metroliner pulled into Penn Station came back with a rising inflection: Is this a way for a man to spend his life?

  Why not simply answer yes, and let it go at that? Nobody but Benny Kramer had heard the question. Nobody but Benny Kramer would know that he had turned away from an honest attempt at an answer.

  The throb in the back of my head moved down into other parts of my body. The pain was settling into a steady pulsing ache. I turned back to face Miss Bienstock. “No, nothing happened,” I said. I am not the noblest of citizens. I like to dilute my troubles by dumping at least part of them on others. Preferably friends. What else are friends for? But I couldn’t do it to Miss Bienstock.